[cluster] fakebook_ Puck's shot&voice

samples

Sunflower-sunset

"As yonder Venus in her glimmering sphere!" (III. ii)

 

Waterfall_a_boy

YEAHHHHH! COOOOOL huh? 

 

Weeki-wachee-spring-florida

Hey Ophie! Still there? 

 

Female-nude

OoOoOoOh! YesSSS! 

 

Ghetto-grind

You know how to fly without wings huh? 

 

Playtime

Yeahhh! Grrrrr! Bite the lips! Eat them all! 

 

The-tree-with

That's it! You MUST have this attitude towards the world! See? You are normal, like your tree! ;p 

 

Peace-and-love
Hey King, What R U doing on earth? Huh? EAT UP! not just sip it!

 

 

Plz check Yuan. ^^

Thanx.

 

[cluster] fakebook_ contents

1. Yuan's video clip from interim show

This can be a art scratch which is made by someone/something from "A Midsummer Night's Dream(AMND)" i.e. Puck, fairy cobweb(as we may give a character, who likes to play netting words or images) or contemporary Snug who Puck found out in London these days(who played a part of lion in play within a play, Act 5). Through this handwriting-drawing clip made by Yuan we can tell our interim show indirectly, stay the same texture of the website and create a short dynamic related with(in) our ordinary life and people. 

IF 

the clip is Puck's, (s)he might make it for fun or micking human being's activity such as repeating second language in a (Korean) english institute/school. 

it is cobweb's, (s)he could weave image by image to hang on her web for decoration, or to eat up later and spin her/his web, maybe after digesting the words first. 

it is our contemporary Snug's, he may practice his soliloque which is expected to be presented before the duke and nobles at their wedding reception. 

 

Any cases from above, 

No matter who is the recorder/editor/maker of video clip, the narrator will be Puck. 

 

This issue is which filter we will use to make an interesting storytelling upon the concept of "fakebook". 

Which fake shall be more interactive, provocative and draw a living communication/community? 

What do we want from (our) virtual audience with this "fakebook" run by fake being, Puck? 

 

2. cite, possibly linked with 'Quince's Company' 

www.gobsquad.com

 

Check this site, pals. 

This is the cite I am exploring and learning from which is made with handwriting font and image and targets working class in some sense.

We can connect this website with the 'Quince's Company' the workers' amateur theatre group. 

Puck can present his own opinion towards this website through reflexion/adaptation of 'Quince's Company'.  

 

3. pagination and images for Yuan's drawing

3.1. Puck's profile or portrait (by East Wind?)

3.2. his collection from all over the world 

i.e. love-juice, dung from Indian boy, Oberon's old garment, iced dinosaur, a melted feather of Icarus, 

 Seiren's voice, bundle of thunders, sound of aurora, song of whales/jelly fish, etc.

3.3. his preview & review for performance, now in London (plus another cities) 

 I think, now in this stage, we'd better deal with Shakespear's ONLY. Else, we can't handle it. 

3.4. his special interest in these days

 I would like to upload our own ones in this section. 

i.e. Yuan's non-narrative performance, Y.Shin's improvisational VJ performance and my contemporary Poor Theatre

Our snooping and hopping Puck might be able to chat and chew them up! 

 

[cluster] fakebook_ theory: "mock- or drama-documentary"

The theoretical term for our cluster group project "fakebook" I have researched is "mock-documentary" (J. Roscoe and C. Hight, Faking it, Manchester and New York, Manchester University Press, 2001). 

There are some degrees of mock-documentary, i.e. parady, critique and deconstruction according to intentions of the maker, contstruction of the text and role contstructed for the audience. Namely, we can choose our own interest, focus and colour of this "fakebook" project upon three element of narrativeㅡ intention to be made, building method of script and role for audience of narrative. (p. 72)

Also, if we ought to deal with the definition and narrow-down of "documentary", we might be led to a good table guide about it. (p. 54) It shows a general definition of documentary and three different type of documentary in one table under a title "Situating the mock-documentary and drama-documentary". (The three are drama-documentary, mock-documentary and fitional text)

Since the specific method and style of narrator Puck will be decided through our discussion, I shall fill up gradually the whole pagination and storytelling board by Puck(As I imagine now, he is not quite ordered and neat character; it means the pagination might be rather chaotic in some sense. Let's discuss about the limit). We can't touch all methodology or contents even about/within "A Midsummer Night's Dream".  

 

 

[cluster] fakebook_ Ad.

Pagination Plan 1_  Ad. (or banners)


1. £2.99 for BOTH(purple and white) of love juice! Unbelievable price!

2. BARGAIN Titania’s Indian boy! You can't tell! How adorable he is! 

3. ½ price! Bottom’s ass mask! I bet, You will rock the party!

 

4. London, Now

 

4.1. @ Globe

Globe to Globe Festival 

 21 April - 9 June 2012

 

Beginning on 21 April 2012, the Globe is proud to present an unprecedented programme of multi-lingual Shakespeare productions as part of a once-in-a-lifetime celebration for the London 2012 festival. Revelling in the vast array of communities and languages that make-up London's vibrant cultural landscape, 37 international companies will present every one of Shakespeare's plays in a different language over six weeks.

 

The festival includes:

 

National Theatre of China – Mandarin   

Richard III 

 

This momentous occasion will be the National Theatre of China’s first visit to the UK. The company, which stages work in three different performance spaces in Beijing, works with the finest playwrights and directors in China. Their trailblazing productions show the new face of 21st century Chinese theatre. This production of Shakespeare's wicked horror-show of power and paranoia, will be directed by the National’s Associate Director, Wang Xiaoying.

 

Saturday 28 April, 2.30pm
Sunday 29 April,1.30pm & 6.30pm

 

Tang Shu-wing Theatre Studio - Cantonese

Titus Andronicus 

 

The hybrid culture of Hong Kong informs this production of Shakespeare’s grisliest play from the eminent Hong Kong director’s outstanding and groundbreaking troupe. Described as the ‘alchemist of minimalist theatre’, Tang Shu-wing works with simple staging, voice and movement, to release the energies of classic texts. His ensemble has toured to Singapore and the US, and the Globe to Globe festival is its first visit to the UK.

 

Thursday 3 May, 2.30pm
Friday 4 May, 7.30pm

 

Chiten - Japanese

Coriolanus 

 

This renowned company from Kyoto works under the direction of one of Japan’s most imaginative artists, Motoi Miura. Known for its minimalist vision, this company produces an expressive theatre rooted in the exploration of words, sound and the human body. Celebrated for their work on Chekhov, which has proved highly successful in Russia, they are now bringing their vision of Shakespeare to England for the first time.

 

Monday 21 May, 7.30pm
Tuesday 22 May, 7.30pm

 

Book your tickets now!

Box office 020 7401 9919

Shakespearesglobe.com

 

4.2. @ RSC

` Two Roses for Richard III 

From 7 May, for  7 performances only, Brazilian theatre company Companhia Bufomecânica reopen The Courtyard Theatre with their beautiful and stylised production Two Roses for Richard III.

` Romeo and Juliet in Baghdad 

In April, for  11 performances only, the Iraqi Theatre Company brings its new version of Romeo and Juliet  to the Swan Theatre from  26 April – 5 May.

 

4.3. The World Shakespeare Festival

is the largest festival of Shakespeare the world had seen, produced by the Royal Shakespeare Company for London 2012 Festival, as part of the cultural celebration for the London 2012 Olympic and Paralympic Games.


 

[cluster] fakebook_ blogger "Puck"

How long you have waited! 

Ssorry Robin. Now, time to wake up!

Thank you dear. x

[+]

Y.Shin and Yuan, or else

Add any better ideas. So welcome!

 

profile_  PUCK

 

Full Name                

Robin Goodfellow

 

Grad School / College

P**k you!

 

Employers 

Oberon, one and only!

 

Address

Ex-Athene Wood

Athene

Fairy Kingdom

PU0 0CK

 

Add Your Current City

All over the world! 

 

Add Your Hometown

F**k you 

 

Relataionships and Family 

. . . 

 

Add another family member

Peaseblossom, Cobweb, Moth, and Mustardseed

 

About You

"I go, I go; look how I go, 

Swifter than arrow from the Tartar's bow."

 

"Up and down, up and down, 

I will lead them up and down: 

I am fear'd in field and town: 

Goblin, lead them up and down. "

 

Birthday   

don't remember! somewhen 1590~1596?


Relationship Status   

Single, forever!

 

Religious Views  

Oberonian

 

Political Views

Oberonism

 

Contact Info

East wind

 

Add Mobile Phone

What?

 

Add Address

Again! You idiot?

 

Add Screen Name

Puka, Goblin

 

Email

fakebookyys@gmail.com

 

Favorite Quotations

"Well, go thy way"   ~ Oberon 

 

Share Your Interests

Mischief and jest

 

Add Music

funk and punk

 

Add Books

Bull shit!

 

Add Movies

Chronicles of Narnia, Spiderman(I hate Superman!!!) 

 

Add TV Shows

Dr. Who, Friends (I love Joy!)

 

Add Games

Hah! You tell me

 

Add Athletes

Елена Гаджиевна Исинбаева  (Yelena Isinbayeva!!! She's SO HOT !!!)

 

Add Teams

Borussia Dortmund, Real Madrid

 

Add Sports

Diving, Sky Diving, Cliff Diving, Boxing, Wrestling

 

Add Your Activities

squeezing "love-juice"

 

Add Your Interests

dream, day-dream, lunatic, anything funny!

 

Add People You Admire

None

 

 


 

I have an everlasting dream

I have an everlasting dream.

I'd love to see people who talk each other with loveful eyes after the show I made, even though they were strangers and even enemies each other.  I'd love to see people to fly without wings but with their free soul, the true being himself which he didn't know himself, how free being he is, how joyful container he can be, how speechless miracle his being is from the Beginning! If we really know who we are, what we can be upto, our dream and everyday life will totally change. 

You are the only one in the whole history of the earth and Creation. You are created in God's hand physically. He made you in His everlasting love and incredible dream on purpose. He didn't make you by accident like some earthly parents did. He is the Creator of the very you and He is Perfect Being who shared us His; that's why we are called "being". 

His dream is giving His everything from heaven to us on earth. He is crazy to want to pour out His blessing towards us All. Always. Surely. His everlasting dream to/for/(with)in us is to enjoy His kingdom filled with perfect love, justice, peace and joy ON EARTH AS IN HEAVEN... under His one and only Son, our Saviour, Shepherd King Jesus. 

I dream (and will always dream) a dream that we all share true ourselves without fear or self-protect, only with true honesty and overflowing joy in love. No hypocracy, no calculation, no justification, no judgement. Only in love. All the aim and goal and purpose, the process, the method and results and effects are for love. love. love.

For me, performance is the tool to deliver love. I learn every type of skills and knowledge for loving audience and making them love themselves first, and then do each other. All I learn and will learn for my life time is only for that. And i know, from this crazy nut "love theory", all magnificent everlasting-worthy theories and words-towering temporary theories owe their fundamental definition and identities.

Our (human) history is all about love. About its triumph or failure. That's it. Triumph of love bore all goodness i.e. peace, joy, justice, harmony among people. Then failure of love in history drained out violence, hatred, chaos and spiritual disaster.  I don't know where I am on now. Am I on board in the history line of triumph? Or, am I driven into the tunnel of failure? I do not know where I am. All i just do know is where I want to go. Or where I look towards, at least.

I don't want to be in the line of "failure". I want to be a triumph in history and my life. And I will be in that line ALWAYS, SURELY. Because I know that it is absolutely worthy to live for, strive for and die for love in my whole life time and more, and that in the top-head of that line, my and whole human history's perfect Triumphant One, my Love is there to try to help and support me and us all, ALWAYS, SURELY.

In life, we all lose something in some way. If so, I will choose the loss that love brings. Cleverly, I know, "Love never fails." That's why I choose for my absolute strategy for life and performance. There is no competitive one. Trust me. This is a heavenly secret  that opens to all human being through" love itself", Jesus. To know it isn't enough. To live with it mould you to be real you, true you, and then do further. Then, all shall be shut up in the end... in awe and perfect peace... in Him... Hallelujah.

 

+

Thank you Douglas.

Thank you VLPers.

Bless you in Jesus.

 

 

+

Love never fails.

But where there are prophecies, they will cease;

where there are tongues, they will be stilled;

where there is knowledge, it will pass away. 

(1 Corinthian 13:8) 

 

... Thank you Susan (Boyle).